Who We Are

Mission

NYC Crit Club is a radical alternative program offering community, connection, and critique to artists post BFA/MFA + self-taught. Our programming spans studio critique, art history, art theory, material based intensives, research & writing, professional practices, as well as independent studies for artists. The program supports and strengthens artists’ work while building connections between artists, visiting critics and curators. 


The fundamental mission of the organization is to offer the highest level of critique, dialogue and community support without financial stress and to be as inclusive as possible in all ways. NYC Crit Club is uniquely low cost and requires flexibility in time commitment, as artists can take one course when available or as many as they can manage. Time is a valuable commodity that is not afforded to all - so these courses support those who are ready, serious and excited to improve while they maintain their studio and work requirements. 

NYC Crit Club is not a replacement for an MFA and does not want to be. The opportunity to expand learning & community post school is at the core of this project - we support and advocate for several amazing MFA programs within our networks. We want to encourage learning and growth individually and not offer a prescription on how artists should operate - rather we want to listen and help in ways that are specific to each artist. 

NYC Crit Club is a woman-run organization and co-founded in 2017 by artists Catherine Haggarty & Hilary Doyle. The program offers fair pay and employment opportunities to esteemed critics and faculty who are artists, curators or gallerists. NYC Crit Club currently led by Catherine Haggarty, NYC Crit Club Co-Founder and Founder of The Canopy Program. Artist, Amanda Hunter, is the Director of Operations who handles programming logistics + communications.

NYC Crit Club serves artists all around the world!


Diversity + Inclusion

NYC Crit Club values equity and justice for artists of all backgrounds. It is our intent that artists from diverse backgrounds and perspectives be well-served and represented by NYC Crit Club. The diversity that artists bring to classes is viewed with respect as a strength, benefit and asset in our courses. It is our goal to present materials and activities that are inclusive and respectful of diversity: gender, sexual orientation, disability, age, socioeconomic status, ethnicity, race, culture, education, and other background characteristics. The program offers financial aid in the form of financial aid and BIPOC scholarships as part of our commitment to serving artists inclusively.

NYC Crit Club aims to include artists, critics and faculty with a variety of backgrounds, work and research. This range of diversity in educational background and life experience improves conversations and contributions both formally and conceptually within the program. This inclusivity also creates a safe space of learning where peer driven dialogue fuels the courses and promotes a positive and serious art experience.


Transparency

NYC Crit Club prides itself on improving the pay rate and faculty / critic experience within the organization. We want to be transparent about compensation to faculty, as the cost of courses echo our value system which is rooted in inclusion and ethical practices in hiring, class experience and outreach to new communities. 


By The Numbers

Founders + Staff

Catherine Haggarty, b. 1984, is an artist based in Brooklyn, New York.

Haggarty earned her M.F.A from Mason Gross, Rutgers University in 2011. Haggarty is the Founder, Owner and Executive Director of The Canopy Program which is a one year mentorship program within the NYC Crit Club which Haggarty co-founded with artist Hilary Doyle in 2017. In addition, Haggarty is a Visiting Associate Professor at Pratt Institute.

Currently, Haggarty is the Spring 2024 Teiger Mentor for the Arts at Cornell AAP MFA and recently was a Visiting Artist at Rocky Mountain College of Art + Design (Denver, CO) on the occasion of her Exhibition featuring ten years of work at The Philip J. Steele Gallery.

Haggarty’s paintings and curatorial work have been reviewed by and featured in Bomb Magazine, Artnet, Hyperallergic, Art Forum, Two Coats of Paint, Brooklyn Magazine, The New York Times, Art Maaze Magazine, Art Spiel, Pep Talks for Artists, Sound and Vision Podcast and The Observer.

Catherine has been a visiting artist & critic at Cornell MFA (2024), Rocky Mountain College of Art (2024), Western Connecticut MFA (2023), Contemporary Arts Memphis (2023), Vassar College (2023), Rutgers MFA (2022), U. Albany MFA (2022), MICA (2022), UCONN MFA (2022 + 2023), RISD BFA (2022), Pratt BFA (2022), The University of Oregon (2021), Boston University MFA (2021), SUNY Purchase MFA (2020), Hunter MFA (2020), Denison University (2020), Brooklyn College MFA (2019) and in 2018 Haggarty was the Anderson Endowed Lecturer at Penn State University.

Solo & Two Person exhibitions include: Untitled Miami, Lorin Gallery, LA, Geary Contemporary (NYC), Massey Klein Gallery (NYC), This Friday Next Friday (Brooklyn), Bloomsburg University (PA), and Look and Listen in Marseille France. Select group exhibitions include: The PIT (LA), Badr El Jundi (Madrid, Spain), Mindy Solomon (Miami, FL), Andrew Rafcaz (Chicago, IL), Hesse Flatow (NYC), Mrs (Maspeth, NY) and McBride Contemporary in Montreal, Canada.

CatherineHaggarty.com


Co-founder and Faculty Member

Hilary Doyle began the first iteration of NYC Crit Club in Summer of 2017 before partnering with Haggarty in the Fall of 2017. Doyle is an artist, curator, gallery co-director and teacher. Doyle is represented by Taymour Grahne Projects in London. Recent group shows include: Beach and Contemporary Domesticity at Taymour Grahne in January 2021 and The Symbolists at Hesse Flatow in Chelsea NY in February 2021. She has an upcoming solo show at Taymour Grahne in Summer 2022.

A native of Worcester, MA, Hilary Doyle received an MFA from Rhode Island School of Design (Providence, RI) and a BFA from the Massachusetts College of Art and Design (Boston, MA). Doyle has had solo shows at the Active Space, Brown University and One River School. Her work has received press coverage in Hyperallergic, Bushwick Daily, and New American Paintings Blog. Doyle is a recent recipient of a residency at MassMoCA Museum of Contemporary Art in North Adams, MA as well as Vermont Studio Center.

Doyle is a curator and a co-director at Transmitter Gallery in Bushwick, Brooklyn. She has curated and helped organize over 15 exhibitions with co-curator Reid Hitt as HR Curating over the last decade.

Doyle is faculty at Rhode Island School of Design in both the Foundation Department (EFS) and Painting Department. Doyle also taught Materials and Techniques, Professional Practices and Drawing at Purchase College. She taught at Brown University for a three year appointment.

Her work includes painting, iphone drawing, monotype, ceramics and sculpture to explore psychology of everyday spaces. Doyle currently lives and works in Massachusetts.

HilaryDoyle.com


Amanda Hunter

Director of Operations

Amanda (b. Seminole, Florida) is an artist based in Brooklyn, New York. Originally she began taking classes with NYC Crit Club in 2018. She has been a part of the NYC Crit Club team since the Fall of 2021.

Amanda earned her BFA in Painting from the Rhode Island School of Design in 2014. She has attended residencies at the Vermont Studio Center and Chautauqua School of Art.

@a_rose_hunter
amandahunterstudio.com


Press

Select Lectures

Cornell AAP Lecture
Spring 2024 Teiger Mentor in the Arts


Catherine Haggarty “Past and Present Self”

The lecture Past and Present Self will share works made over a ten-year period by Catherine Haggarty. The central idea of the lecture is the rejection of a linear perspective in visual art and the embracement of ideas past, present, and future tense working simultaneously for the artist. Haggarty's interest in showing a wide range of work is to champion the idea that working with an open and collaborative mind with works and ideas from the past strengthens threads of research and creates a fertile ground for thinking, making, and living — in and out of the studio.

 

Rocky Mountain College of Art and Design

Catherine Haggarty “A Flexible Framework”

 

University of Oregon Lecture

Catherine Haggarty “You Know More Than You Can Say”

 

VVrkshop Panel Discussion

Is It Time to Kill the MFA


Articles

Art Power Series 2020

 

What’s the Value of an Online Art Crit?

A Conversation with Hilary Doyle

The Company Your Mind Keeps: Catherine Haggarty Interviewed by Sangram Majumdar


Podcasts

VVrkshop: ART PROBLEMS: Demolishing The Day Job Stigma for Artists w/ Catherine Haggarty + Macon Reed

Pep Talks for Artists: How to Host A Studio Visit w/ Catherine Haggarty

Sound & Vision: Episode 71 w/ Catherine Haggarty

The Amy Beecher Show: Sleepless Nights w/ Hilary Doyle

Pep Talks for Artists: Ep. 48 Interview w/ Catherine Haggarty

I Like Your Work: The Work Doesn’t Stop When You Leave w/ Catherine Haggarty

Dear Artists: Season 2 Episode 9 w/ Catherine Haggarty

The School of Unlearning: On Art & Community w/ Catherine Haggarty

I Like Your Work: Claiming the Time In Between-Making Every Day a Studio Day w/ Hilary Doyle

The Amy Beecher Show: In Line
w/ Catherine Haggarty